Japanese Photography Magazines 1880s-1980s

Le livre

Introduction: The Culture of Japan's Photography MagazinesPART.1 Art Photography in an Era of ModernizationChapter 1: Early Photography Pictorialism and Amateur Photo ClubsSection 1 Amateur Photographers and Magazine SubmissionsSection 2 Mass Media and Images of WarChapter 2: Prewar Era From Art Photography to PropagandaSection 3 Between Art Photography and Modern PhotographySection 4 The Printed Image and Modern PhoographySection 5 Start of the Pictorial MagazineSection 6 Avant-Garde PhotographySection 7 Mobilization and PropagandaPART 2. Photography in a New NationChapter 3: Postwar Era Restart of Photography MagazinesSection 8 Recovery, The Camera Industry, and MagazinesSection 9 Points of OriginChapter 4: Realism and Generational ClashSection 10 The Realism Photography MovementSection 11 Subjective Photo's Challenge to RealismSection 12 Eizo-Ha - A New Vision of RealitySection 13 Memories of WarSection 14 Literature and PhotographyPART.3 Photography in the Age of BroadcastingChapter 5: From Editorial Work to Art WorkSection 15 The New Photo EditorSection 16 Rensai, the SerialSection 17 Nostalgia and a New Magazine CountercultureChapter 6: An Era of FuneralSection 18 FukeironChapter 7: Cooperation and ProtestSection 19 Collaboration of PhotographersSection 20 Collective Action and Anonymous SelfSection 21 A Journey to SomewhereChapter 8: Independent Galleries and Fractured CommonalitySection 22 From Major Magazines to "Off Magazines"Section 23 Deadpan ApproachSection 24 End of an EraAfterwordSelected BibliographyIndex