Beirut

Le livre

Beirutpresents a large gathering of Gerhard Richters overpainted photographs from the mid-1980s to the present. Rarely seen in print, these works merge the artists longstanding fascination with the respective languages and textures of photography and abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots, all drawn from Richters photographic archives. Also featured in this volume isMuseum Visit, a series of 234 overpainted photographs, each of which was taken during a typical busy day at the Tate Modern. An essay by Achim Borchardt-Hume considers the overpainted photographs within Richters wider oeuvre, from the photo paintings of the 1960s to the18 October 1977cycle, fromAtlastoWar Cut. Borchardt-Hume asserts: The photographs allow an insight into the private world of Richter, albeit an insight that is always seen--quite literally--through the veil of paint and painting.