Abelardo Morell

Le livre

Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He proceeded to complete the graduate programme at Yale University, where he worked within the framework of Robert Frank and Garry Winogrand7F 19s tradition of black-and-white street photography. In 1983, he began teaching at the Massachusetts College of Art in Boston, where he remains a professor. In 1986, Morell began a family and his fascination with his son engaged a new interest in this domestic environment as a subject. Morell began exploring the world from a child7F 19s perspective approaching mundane household objects in a new way that challenges the viewer7F 19s perception of reality and how we see it. Morell transforms everyday objects by distorting angles and using extreme close-ups, and by exploiting perspectives that confuse and jar with our expectations. For instance, viewed from below a stack of toys blocks tower over the viewer; and a close-up of liquid pouring from a jar seems ominous and dramatic rather than an everyday occurrence. Similarly, Morell continued to transform the familiar into the surprising in his series of photographs of books, maps, American money and, more recently, a series that illustrates a new edition of Lewis Carroll7F 19s Alice7F 19s Adventures in Wonderland. This preoccupation with reality and illusion is most clearly realised in Morell7F 19s series of camera obscura images. He takes an ordinary room and tapes black plastic over the windows, leaving only a 3/8 hole for the light. After setting up a large-format camera in the room and pointing it at the opposite wall, Morell leaves - a single exposure takes 8 hours. In the resulting images a scene of Broo (...)